015. (27 Jan) Paris Awakens (Olivier Assayas, 1991)* 71
016. (04 Feb) Michael Clayton (Tony Gilroy, 2007)* 72
017. (19 Feb) /The Child/ (Jean-Pierre and Luc Dardenne, 2005) 76
018. (20 Feb) The Usual Suspects (Bryan Singer, 1995) 40
019. (21 Feb) Be Kind Rewind (Michel Gondry, 2008)* 49
020. (22 Feb) The Iron Horse (John Ford, 1924) 56
021. (23 Feb) Triple Agent (Eric Rohmer, 2004) 68
022. (27 Feb) The Band's Visit (Eran Kolirin, 2007)* 37
023. (01 Mar) Los Muertos (Lisandro Alonso, 2004) 68
024. (01 Mar) La Moustache (Emmanuelle Mouret, 2005) 59
025. (02 Mar) Four Sheets to the Wind (Sterlin Harjo, 2007) 57
026. (08 Mar) Shall We Kiss? (Emmanuel Mouret, 2007)* 64
027. (08 Mar) All Is Forgiven (Mia Hansen-Love, 2007)* 43
W/O. (08 Mar) Those Who Remain (Anne Le Ny, 2007)*
028. (09 Mar) The Duchess of Langeais (Jacques Rivette, 2007)* 63
029. (11 Mar) The Bells of St. Mary's (Leo McCarey, 1945) 61
030. (13 Mar) Simple Men (Hal Hartley, 1992) 69
s12. (21 Mar) Sadness Beautiful Face (Jean-Paul Civeyrac, 2004) 60
031. (21 Mar) All the Fine Promises (Jean-Paul Civeyrac, 2003) 75
032. (29 Mar) Mary of Scotland (John Ford, 1936) 59
s13. (03 Apr) Les mauvaises frequentations (Jean Eustache, 1963) 67
033. (04 Apr) Chinatown (Roman Polanski, 1974) 77
034. (05 Apr) A Film About a Woman Who... (Yvonne Rainer, 1974) 55
s14. (05 Apr) The Five Minute Films (Mike Leigh, 1975) 70
035. (09 Apr) Leatherheads (George Clooney, 2008) 64
036. (10 Apr) Hush! (Ryosuke Hashiguchi, 2001) 61
037. (10 Apr) Eva (Joseph Losey, 1963) 82
038. (11 Apr) /Eternal Sunshine of the Spotless Mind/ (Michel Gondry, 2004) 70
039. (12 Apr) Almost Peaceful (Michel Deville, 2002) 60
040. (13 Apr) The Big Heat (Fritz Lang, 1953) 73
041. (20 Apr) Surviving Desire (Hal Hartley, 1991) 74
042. (23 Apr) Massacre at Central High (Rene Daalder, 1976) 78
043. (25 Apr) Natural Causes (Alex Cannon, Paul Cannon and Michael Lerman, 2008)* 55
W/O. (26 Apr) August Evening (Chris Eska, 2008)*
044. (26 Apr) Ballast (Lance Hammer, 2008)* 81
045. (01 May) Somers Town (Shane Meadows, 2008)* 62
046. (01 May) Christine (Alan Clarke, 1987) 85
047. (XXXXXX) Sands of Iwo Jima (Allan Dwan, 1949)
048. (XXXXXX) Time Without Pity (Joseph Losey, 1957)
049. (XXXXXX) The River (Tsai Ming-Liang, 1997)
050. (XXXXXX) The Big Sky (Howard Hawks, 1952)
051. (XXXXXX) La Truite (Joseph Losey, 1982)
052. (XXXXXX) Ken Park (Larry Clark, 2002)
053. (XXXXXX) The Chase (Arthur Penn, 1966)
054. (XXXXXX) Men in War (Anthony Mann, 1957)
055. (XXXXXX) Paisan (Roberto Rossellini, 1946)
056. (XXXXXX) Snow Country (Shiro Toyoda, 1957)
057. (XXXXXX) Diary of a Chambermaid (Jean Renoir, 1946)
058. (XXXXXX) Man’s Favorite Sport (Howard Hawks, 1964)
059. (XXXXXX) Hard Labour (Mike Leigh, 1973)
060. (XXXXXX) Grownups (Mike Leigh, 1980)
061. (XXXXXX) /Men in War/ (Anthony Mann, 1957)
062. (XXXXXX) Meantime (Mike Leigh, 1983)
063. (XXXXXX) /Naked/ (Mike Leigh, 1993)
064. (XXXXXX) The Mother and the Whore (Jean Eustache, 1973)
065. (XXXXXX) Ceiling Zero (Howard Hawks, 1935)
066. (XXXXXX) The River (Frank Borzage, 1929)
067. (XXXXXX) The Unbelievable Truth (Hal Hartley, 1990)
068. (XXXXXX) The Duellists (Ridley Scott, 1977)
069. (XXXXXX) The Last Detail (Hal Ashby, 1973)
070. (XXXXXX) Career Girls (Mike Leigh, 1997)
071. (XXXXXX) Kiss of Death (Mike Leigh, 1977)
072. (XXXXXX) Shampoo (Hal Ashby, 1975)
073. (XXXXXX) La Grande Bouffe (Marco Ferreri, 1973)
074. (XXXXXX) Gertrud (Carl Dreyer, 1964)
075. (XXXXXX) Four Days in July (Mike Leigh, 1985)
076. (XXXXXX) Home Sweet Home (Mike Leigh, 1982)
077. (XXXXXX) Secrets and Lies (Mike Leigh, 1996)
078. (XXXXXX) Tobacco Road (John Ford, 1941)
079. (XXXXXX) Rita, Sue, and Bob Too (Alan Clarke, 1986)
080. (XXXXXX) Top Gun (Tony Scott, 1986)
081. (XXXXXX) Ordet (Carl Dreyer, 1955)
082. (XXXXXX) The Sign of the Lion (Eric Rohmer, 1959)
083. (XXXXXX) Le Plaisir (Max Ophuls, 1952)
084. (XXXXXX) Tristana (Luis Bunuel, 1970)
085. (XXXXXX) Humanity and Paper Balloons (Sadao Yamanaka, 1937)
086. (XXXXXX) The Tin Star (Anthony Mann, 1957)
087. (XXXXXX) Wall-E (Andrew Stanton, 2008)*
088. (XXXXXX) The Invisible (David Goyer, 2007)